Japa Mala Beads

As part of our growing range, Yoga King is pleased to announce that we will be stocking a range of Mala beads. These beautiful beads can be worn purely as a fashion accessory, or for the more serious yogi, they can be used in the traditional way. A Japa mala or mala (Sanskrit: mālā, meaning garland) is a set of beads most commonly used by Hindus and Buddhists, but are becoming increasingly popular within the yoga community. Traditionally malas are used for keeping count while reciting, chanting, or mentally repeating a mantra or the name or names of a deity. This practice is known in Sanskrit as japa. Malas are typically made with 18, 27, 54 or 108 beads. Malas are mainly used to count mantras. These mantras can be recited for different purposes linked to mindfulness. The material used to make the beads can vary according to the purpose of the mantras used. Some beads can be used for all purposes and all kinds of mantras such as beads made from the wood of the Bodhi tree, or from 'Bodhi seeds'ifying mantras should be recited using white colored malas. Materials such as crystal, pearl, shell/conch or mother of pearl are preferable. These are said to purify the mind and clear away obstacles like illness, bad karma and mental disturbances. Using pearls is not practical however, as repeated use will destroy their iridescent layer. Most often pearl malas are used for showing off or 'Dharma jewelry'. Increasing mantras should be recited using malas of gold, silver, copper and amber. The mantras counted on these can "serve to increase life span, knowledge and merit." Mantras for magnetizing should be recited using malas made of saffron, lotus seed, sandalwood, or other forms of wood including elm wood, peach wood, and rosewood. However, it is said the most effective is made of Mediterranean oxblood coral, which, due to a ban on harvesting, is now very rare and expensive. The mala string should be composed of three, five or nine threads, symbolizing the Three Jewels (Buddha, Dharma, Sangha), the five Dhyani Buddhas (Vairocana, Akshobhya, Ratnasambhava, Amitabha, Amoghasiddhi) and their wisdoms or the nine yanas or Buddha Vajradhara and eight Bodhisattvas. The large main bead, called the Guru bead, symbolizes the Guru, from whom one has received the mantra one is reciting. It is usually recommended that there be three vertical beads in decreasing size at this point: one white (Nirmanakaya) one red (Sambhogakaya) and one blue (Dharmakaya), or enlightened body, speech and mind. Mantras are typically repeated hundreds or even thousands of times. The mala is used so that one can focus on the meaning or sound of the mantra rather than counting its repetitions.  One repetition is usually said for each bead while turning the thumb clockwise around each bead, though some traditions or practices may call for counterclockwise motion or specific hand and finger usage. When arriving at the Guru bead, both Hindus and Buddhists traditionally turn the mala around and then go back in the opposing direction. Within the Buddhist tradition, this repetition of the beads serves to remind practitioners of the teaching that it is possible to break the cycle of birth and death. If more than 108 repetitions are to be done, then sometimes in Tibetan traditions grains of rice are counted out before the chanting begins and one grain is placed in a bowl for each 108 repetitions.Each time a full mala of repetitions has been completed, one grain of rice is removed from the bowl. Many Tibetan Buddhists have bell and dorje counters (a short string of ten beads, usually silver, with a bell or dorje at the bottom), the dorje counter used to count each round of 100, and the bell counter to count 1,000 mantras per bead. These counters are placed at different points on the mala depending on tradition, sometimes at the 10th, 21st or 25th bead from the Guru bead. Traditionally, one begins the mala in the direction of the dorje (skillful means) proceeding on to the bell (wisdom) with each round. A 'bhum' counter, often a small brass or silver clasp in the shape of a jewel or wheel, is used to count 10,000 repetitions, and is moved forward between the main beads of the mala, starting at the Guru bead, with each accumulation of 10,000.